sunday concert series

select sundays throughout the summer.

doors open at 5:00, music starts around 5:30.

come with cash for the artists cover at the door, or grab a ticket online via the link below.

suggested cover $10-20

  • 6/22 Jake McKelvie & Greg Jamie

    Jake McKelvie has traveled the DIY touring circuit in the US and UK for over a decade, carving out a niche for himself as a songwriter and performer. Known for his off-kilter and whimsical "stream of self-consciousness" lyricism and charming stage demeanor.

    Greg Jamie is Portland Maine based writer of minimalist gothic folk songs.  He has released 4 albums with his band o'death, 3 albums with his band Blood Warrior and one solo album under his own name that was released in 2018 on Orindal Records. He will be releasing a follow up later this year.  He is also a visual artist who is currently displaying paintings at Waterford Inne, and a film programmer at SPACE Gallery.

  • 7/27 Kat Wallace & Friends

    Kat Wallace is a Boston-based multi-instrumentalist and singer-songwriter. Known for her fiddle playing in Rachel Sumner and Traveling Light, she’s now writing and singing her own songs on tenor guitar. Her debut album “Grand Design" marks a new chapter for Wallace, showcasing her Americana influences from legendary songwriters like Gillian Welch and John Prine, as well as centuries-old Celtic and English balladry.  

    joined by Steven Manwaring on guitar, Karl Henry on bass and Corley Friesen-Johnson on fiddle

  • 8/17 Mirah & Footings

    Mirah Yom Tov Zeitlyn lives in Brooklyn, New York, where she works as a songwriter, performer, producer and mom.  In a constant dedication to expanding her tender repertoire of American folk songs into a larger context, her recordings seek to find the magical amity between explorative percussion, orchestral sounds and elements of rock and popular music. 

    Footings is the long-running/rocking outgrowth of Peterborough NH's great ruralist duo, Redwing Blackbird. Initially formed as a trio in 2012 by Eric Gagne on guitar and vocals, Footings' sound embraces a sort of inner light derived from folk music, but surrounds it with a variety of rockist tropes.

    Footings is a vehicle for the songs of Eric Gagne, often in performance with Jordan Holtz, Candace Clement, and Mia Govoni.

  • 10/5 Wooden Nickels

    dynamic old-time trio steeped in the rich musical traditions of Appalachia and Ireland. Laura Feddersen (fiddle), Joel Wennerstrom (banjo), and Owen Marshall (guitar) play with tight rhythm, strong melodies, and a deep connection to traditional roots. With driving banjo, rhythmically rich fiddling, and expressive, melodic guitar work, their sound brims with energy, grit, and the unmistakable joy of playing together.

    Joel Wennerstrom
    Joel plays clawhammer banjo and guitar for contra and square dances in the New England area. Before moving to Boston in 2013, Joel lived in NYC, where he taught design and drawing at Pratt Institute. His playing is featured on various recordings, including Hammer & String’s “The Girl Who Broke My Heart” with Rhys Jones and Cleek Shrey, “Jumping Through Hoops” with Kristin Andreassen, Chris Eldridge and Paul Kowert, “The Pleasure of Your Company” with Harry Bolick, “All in Good Time”, with Alan Kaufman and Don Stratton, and “A Fiddler’s Sojourn” with Jeff Trippe.

    Laura Feddersen
    Laura grew up in a musical family in Bloomington, Indiana. After spending many a night sleeping in the bass case at dances and music parties, at the age of five she took up the fiddle herself, playing for the ceili and square dances in her hometown. Laura has since traveled extensively playing and teaching fiddle, and is well known for her unique and skillful take on Irish, American, and Irish-American traditional music. She now resides in Boston, where she has most recently recorded and performed with the projects "Ship in the Clouds", the Virtual Behan Sessions, and “Brightly or Darkly” with fiddler Nathan Gourley.

    Owen Marshall

    Vogue once called Owen Marshall “a guitar/mandolin/banjo player rivaled in character only by the occasional three-pronged carrot” (Vogue, 2009). A multi-instrumentalist and highly regarded accompanist in the traditional music world, Owen is known for his fluid bouzouki work and compelling guitar style. Over the past 20 years, he has toured and recorded with artists such as the Seamus Egan Project, Liz Carroll, Copley Street, Dervish, Riptide, The Press Gang, Jenna Moynihan, Haas/Marshall/Walsh, Pine Tree Flyers, A Christmas Celtic Sojourn, and has been involved on over 30 albums.

  • 10/12 Lisa/Liza, Glenn Jones, Liam Grant

    Jones’ subtle approach to fingerstyle remains uniquely idiosyncratic, having established and continued to innovate a deeply personal melodic grammar for the acoustic guitar and banjo that is witty, cleverly self-referential and tethered to the weight of reflection and memory. 

    Lisa/Liza is the songwriting project of Portland singer and guitarist Liza Victoria. Throughout her catalogue of songs, she affirms the value of music and songwriting in her life, providing comfort through illness and isolation and helping to hold onto cherished memories through the poetry she sings. Meditations on joy, pain, human relationships and the natural world that stretch out slowly like long shadows.

    Liam Grant is a New England guitarist with a punk ethos, cut from the American Primitive cloth. The restless guitar explorations, modal epics, and driving uptempo rags recall the likes of Grant's pedagogue, Takoma Records, and the path that was paved by his forebears John Fahey, Robbie Basho, Peter Walker, Max Ochs and later Glenn Jones, Steffen Basho-Junghans, Jack Rose, and others.